Theory of Blend
2023
Spray paint on canvas
40 x 30cm
in
The 3rd Australian Biennale of Reductive Art
Reflex
University of Technology, Sydney (UTS) Tower
15 Broadway, Ultimo, Sydney 2007
22 December 2023 –28 January 2024
Curated by Mark Titmarsh and Billy Gruner

Link to event

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Mark Titmarsh and Johanna Malt
earth/World
2023
Digital print on cotton canvas on plywood on floor
92 x 190 cm
in
First Hand
/Origin\ Forward/ Slash\ Group
(Sacha Golob, Marie Hay, Johanna Malt, Hester Reeve and Mark Titmarsh with Jan Hopkins)
Flat Time House
London, UK
29 Sep – 5 Nov 2023
curated by Gareth Bell-Jones.

Link to gallery

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Poster Design
Hiding Out
2023
/origin\ forward/ slash\ (Sacha Golob, Maire Hay, Johanna Malt, Hester Reeve, Mark Titmarsh)
in conversation with Art and Language (Mel Ramsden and Michael Baldwin)
with Paul Wood (Editor of Art in Theory) and Michael Corris (alumni of Art and Language)
Flat Time House
London, U.K.
20 July 2023.

Link to event

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Advanced DefJam (1987)
acrylic on paper, 100 × 180 cm
(Collection of Catriona Moore)
Re/production: Australian art from the 1980s and 1990s
curated by John Cruthers
16 Albermarle Gallery, Sydney, Australia
29 August –10 October 2020

Link to gallery

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Chromatophore (2019)
Wallwork – Metallic foil, 3.1 x 5.5 metres
Installation view: “Coterie to Coterie”
Biennale of International Reductive and Non Objective Art
Stores Building
, corner of New & Dunlop St,
Nth Parramatta NSW

19 October 2019 to 21 December 2019

Curated by Billy Gruner & Graham Davis King

Link to gallery

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Magenta (spiro) 2019
Acrylic on foil on canvas
26 x 30 cm
Collection of Justene Williams

Auction
KNULP Projects
15 Fowler St, Camperdown
Sydney NSW 2050

Link to gallery

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“Piss Off WestConnex”, 2019
Denise Corrigan, David Watson and Mark Titmarsh
Installation view 25 February 2019.
Acrylic paint on Marine Ply, 22 metres by 2 metres, installed on Temporary Hoarding at ex-Tigers Leagues Club, Victoria Rd, Rozelle, Sydney
 photo: Mark Titmarsh

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Light Touch
13 June – 7 July 2018
installation view
Gallery 9, Sydney

Link to Gallery 9

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In-A-Gadda-Da-Vida (2018)
Acrylic and resin on aluminium, 110 x 90 cms

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Logo Design
Rozelle Against Westconnex (RAW) Logo
2017
Designed for “Sensitive Receivers: Rejecting WestCONnex”,
Salon Callan, Sydney
13-14 May 2017.
Link to review

Link to review

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New Earth (magenta minor) 2015
aluminium foil on canvas,
50 x 35 cm
photo : Arthur Georgeson

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Lines of Force 2015
installation view, Sydney College of Arts Gallery
photo : Arthur Georgeson

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Isolated Houses 2012 (detail)
acrylic on paper (dust jacket)

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Library of Congress 3, (On Kawara, Cildo Meireles) 2011 (detail)
each image is acrylic on paper (dust jacket) on aluminium
28.5 x 99cm

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Colour for Websites 2010
acrylic on paper (dust jacket)
90 x 66.5 cm

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Untitled 2009
acrylic on Marblo
6 x 10cm

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Chromophiliac 2008
digital image

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Mattering 1 2007
acrylic on aluminium
90 x 110 cm

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self unfolding 2006
acrylic and resin on aluminium
200 x 110 cms
photo : Paul Pavlou

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Untitled 2006
acrylic on gatorboard
18 x 10cm

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LTR2006
acrylic on aluminium
90 x 110 cm

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DZN 2006
acrylic on canvas
90 x 110cm

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Untitled 2005
acrylic on gator board
16 x 8cm

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OTD 2002 (detail)
acrylic and resin on transparent plastic
90 x 110cm

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NKJ 2001
acrylic and resin on canvas
90 x 110cm

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Soul Train 1993
Art Hotline

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What I owe the Moderns 1989
acrylic on printed paper laminated on canvas
collection of the Art Gallery of Western Australia

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Not a Sceptic 1989
acrylic on canvas, 3 panels

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Purposes? Will? The Battle of Ideas! 1987
acrylic on paper
3m x 2m

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Purposes? Will? The Battle of Ideas! 1987
acrylic on paper
3m x 2m

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