The Grammarian
2023
Synthetic polymer paint on polycarbonate
16.4 x 5 x 5 cm.
suspended on wire.
in
The Third Australian Biennale of Reductive Art (3.2)
Kree House
43 Old Bathurst Rd
Woodford / Durubbin
Blue Mountains
29 October 2023
Curated by Billy Gruner and Mark Titmarsh.
painting, dwelling, thinking
2023
Spray paint on wood
8.5 x 13 x 6 cm
in The Third Australian Biennale of Reductive Art (3.1)
Brisbane / Meanjin
Eisenmenger House
in association with West Projects and AUSTRALIAN MODERN Publishing
9 Burchell St, Carina, Brisbane
30 Sep 2023.
Curated by Billy Gruner, Tarn McLean and Mark Titmarsh.
Carl Andre’s Response 1
(2023) Installation view of Primark bag placed in front Sylvie Fleurie’s installation of haute couture carry bags at Sprüth Magers gallery, London.
Intervention took place on September 27, 2023 during Sylvie Fleury retrospective show, S.F.
September 22–November 4, 2023, Sprüth Magers, London.
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Chromoman 14 residue
2023
Spray string
Dimensions variable
in “Material Action”
Florence Peake, Hester Reeve, Mark Titmarsh & John Latham
Gloam Gallery
Sheffield, UK.
4-8th Oct 2023
Curated by Stu Burke.
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OWA
2023
with Johanna Malt
Left: Spray paint on wood , 18.5 x 14 x 4.5 cm
Centre: automotive paint and lacquer on wood, 28 x 20 x 4.75 cm
Right: automotive paint and lacquer on polycarbonate, 22 x 14.5 x 1.3 cm
In First Hand
/origin\ forward/ slash\
(Sacha Golob, Marie Hay, Johanna Malt, Hester Reeve and Mark Titmarsh with Jan Hopkins)
Flat Time House
London, UK
29 Sep – 5 Nov 2023
curated by Gareth Bell-Jones
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Book of Light 11 (2011)
Acrylic paint on acrylic glass
14.5 x 11 x 4 cm
Installation View
AN EXPANDING FIELD
Gloam Gallery
160 Arundel Street S1 4RE
Sheffield UK
10 June to 3 July 2022
curated by Stuart Burke.
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Blue MoonTable (2009)
slumped Perspex, 40 x 90 x 90 cm
Summer Group Exhibition (Conversations and Collaborations)
Sally Dan-Cuthbert Gallery, Sydney, Australia
16 Dec 2020 – 7 Feb 2021
Whet Paynt (Pink) (2017 – 2019)
slumped acrylic, 180 x 50 x 70 cm
Installation view “Ferment 4”
Articulate Projects, Sydney
25 – 27 January 2019
Link to Gallery
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Northwest Passage 2 (2017)
Installation view “Zombie Painting”, Stacks Projects, Sydney
22 March – 8 April 2018
photo: Tom Loveday
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Northwest Passage 2 (2017)
Finalist Woollahra Small Sculpture Prize 2017 14 October – 5 November 2017
Woollahra Council Chambers 536 New South Head Road, Double Bay, Sydney, NSW.
photo: Paul Pavlou
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Chromophiliac (Pink) and (Violet) 2009
Sculpture in the Gardens 2017 Mudgee NSW
photo: Amber Hooper
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Installation view, Wet Paint, 2017, Ideas Platform, Artspace, Sydney
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Light from Light 2017
Installation view, Knulp Gallery, Sydney
Wall work, magenta metallic foil, 302 x 302cm.
Floor work, Mirror Ball containing 42 mirror balls, 63cm diameter.
Shelf work, (out of view) pink slumped acrylic glass, 6 x 18 x 8 cm
Photo: Arthur Georgeson
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Chromus (Green) & Chromus (Orange) 2016
Installation view, Galeries Victoria, George St, Sydney CBD
Slumped perspex suspended from glass canopy
each work 200 x 100 x 30 cms
Photo: Paul Sutton
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Yellow Cobra Chair (2009)
installation view, “RIGHT HERE, RIGHT NOW”, curated by Michael Do
Penrith Regional Gallery, Hazelhurst, Sydney
slumped perspex
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Blue Moon Candy Table (2009)
installation view, RIGHT HERE, RIGHT NOW”, curated by Michael Do
Penrith Regional Gallery, Hazelhurst, Sydney
slumped perspex
tbc dimensions
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Chromophiliac 2.1 (purple) 2009
slumped perspex
40 x 50 x60 cm
Installation view “RIGHT HERE, RIGHT NOW”, curated by Michael Do
Penrith Regional Gallery, Hazelhurst, Sydney
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Painting Out 2015
remnants from performance with brushes, mirror balls and coloured balls
variable dimensions
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Looking through a Piece of Plastic 2014
spray string in multicoloured acrylic glass and acrylic mirror
20 cm cube
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Chromophiliac 2.1 2013
slumped perspex
at Marrickville Garage, curated by Jane Polkinghorne and Sarah Newall
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LIbrary of Congress 6 2012
installation view at Substation Gallery, Melbourne
variable dimensions
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LIbrary of Congress 6 2012
installation view at Substation Gallery, Melbourne
variable dimensions
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Salon 2011
installation view at Eastern Block gallery, Sydney
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Ralph Lauren 2011
acrylic on paper (slip jacket)
40 x 31 x 6.5 cm
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Speaks Volumes 2011
installation view at MOP Projects, Sydney
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Pucci 2011
acrylic (paint) on acrylic (dust jacket) on acrylic (glass)
37 x 120 x 25 cm (including shelf)
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Library of Congress 2011
acrylic on paper (dust jackets) laminated on hardboard
dimensions variable
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Colourism 2011
acrylic resin, paint
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Book of Light 4 (blue/magenta) 2011
acrylic paint on acrylic glass
15 x 18.5 x 4cm
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Book of Light 4 (blue/magenta) 2011
acrylic paint on acrylic glass
15 x 18.5 x 4cm
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Ghosting 2010
slumped perspex on industrial bracket
installation view, popup gallery event In Temperance, Sydney
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Collective Polychrome 2010
with Billy Gruner and Kyle Jenkins
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Proposal for painting oil silos, Maine, USA 2009
with Eamon Davern
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(Untitled) Marblo 2 2009
marblo, acrylic paint
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(Untitled) Marblo 1 2009
marblo, acrylic paint
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Chromophiliac 2.i (Green) and Chromophiliac2.ii (Pink) both 2009
slumped acrylic
70 x 60 x 50 cm approx
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Blue Moon Candy Table 2009
slumped perspex
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Yellow Cobra Chair 2009
slumped perspex on dining table chair
85 x 48 x 50 cm approx
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Expandex 2009
installation view at Tin Sheds Gallery, Sydney
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Chromophiliac 2.i (Green) 2009
slumped acrylic
70 x 60 x 50 cm approx
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Chromophiliac 2.5 (Violet) 2009
slumped acrylic
70 x 60 x 50 cm approx
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Chromophiliac 2.4 (Green) 2009
slumped acrylic
70 x 60 x 50 cm approx
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Chromophiliac 2.6 (Pink) 2009
slumped acrylic
40 x 30 x 30 cm approx
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Temple 2008
acrylic glass, acrylic paint
44cm cube
photo : Paul Pavlou
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citing non-sites 2008
floor work, acrylic mirror, coloured Perspex, mirror ball
20 x 120 x 192 cm
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Wet Paint in Run Time 2006
shelf, mobile phone, video, acrylic paint
dimensions variable
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Moraine 2006
Wheelbarrow, carpet, fresh flowers, synthetic flowers
dimensions variable | photo : Arthur Georgeson
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Moraine 3 2006
carpet, wheel barrow, mirror balls, bouncy balls
dimensions variable
photo : Ian Hobbs
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I am (leopard) 1994
figurine and book in glass box
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Ashes 3 1993
acrylic on paper on canvas board, gold leaf frame, in glass box on glass shelf
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Untitled (glass) 1992
acrylic on paper on canvas board in glass box
installed in Pier 7 Millers Point, Art Hotline event, “Glass”, 14 November 1992
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Specific Painting 2 1992
acrylic on 6 identical printed canvases
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Specific Painting 2 1992
acrylic on 6 identical printed canvases
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